Just wanna say i have no interest in duing, my beliefa go against suicide but after losing both my parents , you just never know when its gonna happen and why I wanna write this, I wont mention any personal things. Just my careers...
Chapter 1: Early Life and Cultural Roots
Born to a Puerto Rican father and a Norwegian mother, my life has always been a blending of two contrasting cultures. Growing up with these diverse influences, I developed a love for music, technology, and storytelling. My father exposed me to Puerto Rican rhythms like reggaeton, plena, and salsa, while my mother’s heritage introduced me to Scandinavian rock and traditional Norwegian music. This combination gave me a unique worldview, allowing me to develop an eclectic taste in music and a strong sense of creativity from a young age.
As a child, I was always fascinated with how different cultures expressed themselves through art. Music became my first love, but I soon found that my passion extended to gaming, storytelling, and technology. These interests would all come together to form the foundation of my career as an artist, rapper, writer, and programmer.
Chapter 2: The Birth of Joey 6’1” and Underground Rap
Joey 6’1” was born out of my desire to carve my own space in the world of music. Growing up in Puerto Rico, I was heavily influenced by the underground rap scene. By the time I was a teenager, I was competing in local freestyle battles, known for my quick wit and my ability to mix Spanish and English in my lyrics. I wanted to create a persona that reflected both my literal height and my larger-than-life aspirations, and thus, Joey 6’1” was born.
Early in my career, I gravitated toward artists who were known for their wordplay and complex rhyme schemes, such as Royce Da 5’9” and Slim Shady. I became obsessed with crafting verses that pushed the boundaries of what rap could be. By the time I began releasing music professionally, I was known for my punchline-heavy bars, often reaching over 1000 rhymes in a single track.
My second album, La Revalida, became a critical moment in my career. It reflected my growth as an artist and showed the world that I could blend genres, fusing hip-hop with reggaeton, rock, and even R&B. This album solidified my place in Puerto Rican underground rap and led to collaborations with some of the biggest names in Latin music, including Ñengo Flow, Guelo Star, Mc-Ceja, Gastam, and Temperamento.
In addition to local collaborations, I expanded my reach internationally, working with the collective Slaughterhouse on the track On My Grind, which featured Joe Budden, Royce Da 5’9”, Joell Ortiz, and Crooked I. Another collaboration with Joe Budden, the track Without a Oven Mitt, became something of a lost gem in underground hip-hop, generating buzz when it resurfaced years later. These experiences helped me grow not only as a rapper but also as a cultural bridge between Puerto Rican hip-hop and the global underground scene.
Chapter 3: Controversies and Diss Tracks
Throughout my career, I’ve been involved in numerous diss track controversies, and it’s something that has defined my reputation as an artist who isn’t afraid to speak his mind. One of the most well-known feuds took place in 2009, when I clashed with reggaeton artist El Joey. I felt that the Puerto Rican music scene wasn’t big enough for two “Joeys,” so I challenged him through diss tracks like Solo un Joey and Knockout del Segundo Round. My final diss, Tornillo en el Ataúd, was prepared but never released because I learned that El Joey was going through a custody battle. Having gone through similar struggles myself, I decided to hold back, choosing empathy over continuing the feud.
In 2020, I was involved in another controversy with my former friend Davinchi, who initiated a smear campaign against me. I responded with the track Almenos YO Soy un Rapero, but I later deleted it. This time, it wasn’t Davinchi’s diss that hurt me; it was the betrayal of Defknot, an artist I had helped build. While Almenos YO Soy un Rapero has not been publicly re-released, I’ve hinted that it may appear in a future compilation album called Shit List.
My diss tracks aren’t just about calling out rivals—they are a reflection of the competitive nature of hip-hop. I believe that in order to grow as an artist, you need to be willing to challenge others and, in doing so, challenge yourself. Whether it’s responding to someone else’s diss or initiating my own, my goal has always been to sharpen my skills and show the world that I am a force to be reckoned with in the underground rap scene.
Chapter 4: Protorock – Gaming, Hacking, and Programming
While my career as Joey 6’1” was taking off, another side of me was developing under the pseudonym Protorock. My love for video games and technology had always been an integral part of my life, but it wasn’t until I began exploring ROM hacking and game development that I realized I could turn that passion into something tangible.
My first major gaming project as Protorock was Protoman 21XX, a fan-made game that reimagined Protoman in the MegaMan X universe. This wasn’t just a minor hack—it was a complete overhaul that introduced new graphics, storylines, and gameplay mechanics. The project gained momentum when I launched a crowdfunding campaign on Indiegogo, and it received coverage from gaming outlets like PR-Gamer and Cision News.
Building on the success of Protoman 21XX, I created MegaMan Project 1, a mod of Super Smash Brothers that allowed players to fight with characters from the MegaMan universe. The project was well-received, and it paved the way for my upcoming mod, MegaMan Project 2, which is dedicated to the memory of my mother and father. This mod will feature 20 characters and will serve as both a technical achievement and a deeply personal tribute to the people who influenced me most.
Aside from these large-scale projects, I’ve worked on various other hacks and mods, including Protoman and Bass and Green Biker Dude, expanding the possibilities of what can be done within classic games. Green Biker Dude was a minor character in MegaMan X2 who became a cult favorite, and I saw the opportunity to give him a larger role through my work. These projects are about more than just creating games—they’re about preserving the legacy of retro gaming and bringing new life to classic characters.
Chapter 5: Jigsaw – The Controversial Writer
In addition to my music and gaming careers, I also write under the pseudonym Jigsaw, where I explore topics that are often considered controversial. As Jigsaw, I write stories, blogs, and commentary that challenge societal norms and push the boundaries of conventional thinking. My writing is raw, unfiltered, and unafraid to dive into the deeper, sometimes darker aspects of human behavior.
One of my most significant works as Jigsaw is my autobiography Just in Case. In this book, I delve into my life’s journey—from my early days in Puerto Rico to my rise as an underground rapper, game developer, and writer. I talk about the struggles I’ve faced, the lessons I’ve learned, and the ways I’ve grown as an artist. Just in Case is not just a reflection on my career; it’s a guide for anyone who wants to understand the realities of navigating the creative industries.
Beyond my autobiography, I’ve written several books, including Don’t Be a Douche, a dating guide that takes a feminist and empathic approach to relationships. Unlike traditional Pick-Up Artist (PUA) strategies that focus on manipulation and superficial tactics, my book encourages men to build genuine connections based on respect and understanding. This philosophy stands in contrast to much of the toxic masculinity that dominates dating culture today.
Chapter 6: Hades – The Anti-PUA Advocate
While Jigsaw explores controversial topics through writing, Hades is the persona I use to challenge the toxic aspects of Pick-Up Artist culture. As Hades, I advocate for a more compassionate and feminist approach to dating, rejecting the manipulative tactics that are often promoted by the PUA community. My goal with Hades is to shift the focus from “winning” relationships to building meaningful, lasting connections based on trust and mutual respect.
Hades represents a departure from the typical PUA rhetoric and offers an alternative perspective for those who want to approach relationships in a healthier, more responsible way. While my views as Hades have been met with both praise and criticism, I believe that it’s essential to push back against harmful ideologies and create space for more positive approaches to dating.
Chapter 7: Discography and Upcoming Releases
My discography as Joey 6’1” is a reflection of my evolution as an artist, combining various genres like hip-hop, reggaeton, R&B, and rock to create a sound that is distinctly my own. My music career is marked by numerous releases, each of which showcases different aspects of my personal and artistic journey.
One of my key releases, La Revalida, is an album that highlights my lyrical complexity and ability to fuse different musical styles. This album was instrumental in establishing my reputation within Puerto Rico’s underground rap scene. Tracks like Sueños y Leyendas featured collaborations with heavy hitters in the Latin music world, including Ñengo Flow, Mc-Ceja, Gastam, and Temperamento.
Another major project was Fases de Miel, an R&B and hip-hop album that allowed me to explore softer, more romantic themes. The contrast between La Revalidaand Fases de Miel demonstrates my versatility as an artist, as I am able to seamlessly move between aggressive battle rap and introspective ballads.
In addition to these albums, my catalog includes various singles and collaborations. Songs like No Me Importa Un Carajo, Morena, Dale Rewind, Pasa el Ron, and Tú Tas Segura Mami are reflective of my ability to create tracks that are both catchy and lyrically complex. These songs explore a wide range of themes, from personal relationships to celebrations of Puerto Rican culture.
My album Conociéndome, which was temporarily taken down, will be re-released in November. This project is another important chapter in my career, and I’m excited to bring it back to the public with updated tracks and fresh production.
As I continue to grow as an artist, I have several upcoming projects in the works. The re-release of Conociéndome is just one of the many plans I have for the future. I am also working on new music that will further push the boundaries of what underground hip-hop can be. I’m always looking for ways to evolve, and my upcoming releases will reflect that ambition.
Chapter 8: Stories, Blogs, and Jigsaw’s Literary Work
As Jigsaw, I’ve written extensively about a wide range of topics, from personal stories to commentary on societal issues. My blog serves as a platform for me to share my thoughts on everything from music and culture to relationships and philosophy. Much of my writing challenges mainstream ideas and presents alternative perspectives that invite readers to think critically about the world around them.
One of the key focuses of my writing as Jigsaw is relationships, particularly the toxic culture surrounding dating advice for men. In my book Don’t Be a Douche, I take a stand against traditional Pick-Up Artist (PUA) strategies, which often encourage manipulation and objectification. Instead, I advocate for a more empathetic and respectful approach to dating, one that prioritizes emotional intelligence and genuine connection. This book has sparked conversations about the need for healthier relationship dynamics, particularly within male communities.
My blog also serves as a space for me to reflect on my career, my experiences in the music industry, and my journey as a game developer. Whether I’m writing about my latest release or sharing my thoughts on a particular social issue, my goal is to offer readers insight into the challenges and triumphs that come with being a multi-dimensional creator.
In addition to my blog, I’ve also written several short stories and essays that delve into themes of identity, culture, and self-expression. These stories are often inspired by my own life experiences, as well as the people and places that have shaped me. As a writer, I aim to use my words to connect with others and offer perspectives that may not always be heard in mainstream discourse.
Chapter 9: Controversies and Public Battles
As someone who has never been afraid to speak my mind, I’ve been involved in my fair share of controversies. Whether in music or in writing, I’ve always believed that pushing boundaries and challenging others is a necessary part of growth, both as an artist and as a person.
My first major controversy came in 2009, when I clashed with reggaeton artist El Joey. At the time, I felt that there couldn’t be two “Joeys” in the Puerto Rican music scene, so I initiated a series of diss tracks aimed at asserting my dominance. Tracks like Solo un Joey and Knockout del Segundo Round were sharp, witty, and uncompromising. While I was prepared to release a final track, Tornillo en el Ataúd, I decided to withhold it out of respect for El Joey’s personal struggles, particularly his custody battle. This experience taught me that while competition is an important part of hip-hop, empathy is equally valuable.
Another significant controversy came in 2020 when my former friend Davinchi launched a smear campaign against me. I responded with the diss track Almenos YO Soy un Rapero, which was influenced by my frustration with the situation. However, the betrayal of Defknot, an artist I had supported and helped, hit me harder than Davinchi’s attacks. Ultimately, I deleted the track, but I’ve considered releasing it as part of a future compilation album, Shit List.
Aside from these high-profile feuds, I’ve also faced criticism for my outspoken views on relationships and dating, particularly through my work as Hades. My rejection of traditional PUA strategies and my focus on emotional intelligence have been met with mixed reactions, with some praising my approach and others questioning it. Nevertheless, I remain committed to advocating for healthier, more respectful relationships, even if it means facing criticism.
Chapter 10: The Legacy of Joey 6’1”, Protorock, and Jigsaw
As I look back on my journey as Joey 6’1”, Protorock, and Jigsaw, I see a life that has been defined by creativity, perseverance, and a refusal to be boxed in by others’ expectations. Whether I’m writing a diss track, developing a video game, or penning a blog post, my goal has always been to push boundaries and challenge the status quo.
As Joey 6’1”, I’ve carved out a space for myself in the world of underground rap, working with some of the biggest names in Puerto Rican and international hip-hop. My collaborations, albums, and controversies have shaped me into the artist I am today, and I continue to evolve with every new release.
As Protorock, I’ve explored the world of video game development, creating projects that pay homage to the retro games I grew up with while also pushing the limits of what fan-made games can achieve. My work on Protoman 21XX, MegaMan Project 1, and the upcoming MegaMan Project 2 has allowed me to blend my love for music, gaming, and technology in ways I never imagined.
As Jigsaw, I’ve used my writing to speak out on controversial topics and share my personal experiences with the world. Whether I’m writing about relationships, culture, or my own life, my goal is always to offer a unique perspective and challenge readers to think critically.
At the end of the day, my life is a reflection of the many different identities I’ve embraced. From Joey 6’1” to Protorock to Jigsaw, each persona has allowed me to explore different facets of who I am and what I’m capable of. I’ve faced challenges, controversies, and setbacks, but I’ve also achieved more than I ever thought possible.
And I’m just getting started.
